We did the DI at Level 3 Post in Burbank with colorist Mark Wilkins and we had to work hard to match looks with all the different weather we had on location, often within one scene. And thanks to the streaming schedule, we could do all the post back here. My longtime post producer, Kip Kroeger, came over to London to look at storyboards and show us stuff cut together and to see how it was going. We shot on the ARRI Mini LF with Tokina Cinema Vista Primes.Īll the editing and sound was on the lot at Warners where my company, Doozer Productions, is based. Plus, overtime in England is not the same as in the US, so while one DP shot two episodes, the other DP would prep the next two episodes. We revolved episode blocks as it was challenging to shoot around London, and you have to work so fast because of schedule and budget. You had two DPs on Season 1 - David Rom and John Sorapure. And sometimes the actors could play soccer, but some couldn’t, so there was a lot of planning and a lot of work on all that in post. We were dealing with the Premiere League and had to shoot all the football scenes believably and create large stadium crowds believably.
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The stage stuff wasn’t hard, but we had a lot more location work than your usual TV show.Īlso entering the sports world, especially for a global streaming platform like Apple, it’s very easy to get the sports wrong. Can you talk about what it took to prep and plan, and did the COVID crisis affect it?ĬOVID didn’t affect us, though it will for Season 2. You shot it all in West London, mostly in-studio. You can be in charge of post, music, final cut, editing, casting, scripts - anything you want - but for me, it’s far better to bring other voices on board and collaborate. I’ve always believed in hiring great department heads and empowering them, as it’s an overwhelming job if you’re too much of a control freak and try to do everything. It really helped that Jason is essentially my co-showrunner this time. I do, and I’ve been doing this a long time. I recently talked to Lawrence ( Scrubs, Cougar Town , Spin City) about making the show, his love of post and what’s up with all the tea and facial hair.
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The show was recognized for Sudeikis’ performance, and the show itself was nominated in the category of Best TV Series - Musical or Comedy. Audiences loved the series, created by veteran television writer, producer and director Bill Lawrence and its star Jason Sudeikis, and so did the Golden Globes.
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